Art Quilts of the Midwest (Bur Oak Book) (SIGNED)
Art Quilts of the Midwest (Bur Oak Book) (SIGNED)
Couldn't load pickup availability
Author(s): Linzee Kull McCray, Astrid Hilger Bennett
Publication year: 2015
Publication date: 2015-03-15
Pages: 104
Binding: Paperback
Language: English
Publisher: University Of Iowa Press
ISBN: 9781609383237Dimensions: 8.0 x 0.3 x 9.0 in
A milestone in perception occurred in 1971, when the Whitney Museum of American Art displayed quilts in a museum setting: Abstract Design in American Quilts bestowed institutional recognition of the artistry inherent in these humble textiles. In subsequent decades, quilting’s popularity exploded. Some who took up quilting created pieced quilts that honored traditional patterns, symmetry, and repetition. But others saw the potential for pushing beyond patchwork, giving birth to the art quilt. Today, adherents from both art and quilting backgrounds incorporate storytelling, digital images, nonfabric materials, asymmetry, and three dimensions―in short, anything goes in the world of art quilting, as long as the result is stitched, layered, and not primarily functional.
As a writer covering textiles, art, and craft, Linzee Kull McCray wondered just how deeply fiber artists were influenced by their surroundings. Focusing on midwestern art quilters in particular, she put out a call for entries and nearly 100 artists responded; they were free to define those aspects of midwesterness that most affected their work. The artists selected for inclusion in this book embrace the Midwest’s climate, land, people, and culture, and if they don’t always embrace it wholeheartedly, then they use their art to react to it. The proof can be seen in the varied, powerful quilts in this energizing book.
Enlivened by the Midwest’s landscapes and seasons, Sally Bowker paints her fabrics with acrylics, creating marks and meaning with layers of hand stitching and appliqued bits of fabric. Shin-hee Chin uses sketchlike stitching for its ability to penetrate fabric and create depth; living in the Midwest helps her stay balanced between eastern philosophy and western culture. The metals and mesh that Diane Núñez incorporates into her quilts connect to her days as a jeweler as well as to the topography of her home state of Michigan. Pat Owoc prepares papers with disperse dyes, then selects from as many as 150 to create her fabrics; her art-quilt series honors midwestern pioneers. Martha Warshaw photographs old fabrics, tweaks the images in Photoshop, and prints the results for her pieces, which connect her to the legacy of quilting in past generations.
The Midwest has always had strong textile communities. Now the twenty artists featured in this beautifully illustrated book have created a new community of original art forms that bring new life to an old tradition.
The Artists
Marilyn Ampe, St. Paul, Minnesota
Gail Baar, Buffalo Grove, Illinois
Sally Bowker, Cornucopia, Wisconsin
Peggy Brown, Nashville, Indiana
Shelly Burge, Lincoln, Nebraska
Shin-hee Chin, McPherson, Kansas
Sandra Palmer Ciolino, Cincinnati, Ohio
Jacquelyn Gering, Chicago, Illinois
Kate Gorman, Westerville, Ohio
Donna Katz, Chicago, Illinois
Beth Markel, Rochester Hills, Michigan
Diane Núñez, Southfield, Michigan
Pat Owoc, St. Louis, Missouri
BJ Parady, Batavia, Illinois
Bonnie Peterson, Houghton, Michigan
Luanne Rimel, St. Louis, Missouri
Barbara Schneider, Woodstock, Illinois
Susan Shie, Wooster, Ohio
Martha Warshaw, Cincinnati, Ohio
Erick Wolfmeyer, Iowa City, Iowa
Shipping & Returns
Shipping & Returns
Shipping costs are calculated based on the weight of the item and the delivery location. We ship via Media Mail or Ground Advantage through USPS.
Shop with Confidence!
We stand by the quality of our books. If for any reason you’re unsatisfied with your purchase, we offer a 100% full refund along with free return shipping.
Share
Book Condition Scale
-
Like New
This book is in excellent condition and appears to have been read only once. The pages are clean and unmarked, with no creases or stains. The binding remains firm and tight. There may be minimal signs of shelf wear on the cover or dust jacket, but overall, the book looks and feels nearly new.
-
Very Good
This book has been read but remains in great condition. It does not look new, yet there is no obvious damage to the cover. Wear and tear are minimal. The pages are clean, free of highlighting or notes, though it may contain identifying marks from a previous owner or bookstore.
-
Good
This book shows moderate to heavy signs of wear that can include creases, stains or tears. The cover may have minimal damage, and the binding remains intact with slight wear. The majority of pages are undamaged, though there may be some highlighting, underlining, or notes. It may also contain identifying marks from a previous owner or bookstore.
-
Acceptable
This book shows significant wear, which may include tears, large stains, creases, loose pages, and heavy notes, underlining, or highlighting. The binding may be loose but remains intact. While it has noticeable imperfections, it is still a complete and readable copy. Any major defects will be clearly noted in the listing.
-
As Is
This book is visibly worn and may be heavily soiled, scuffed, stained, or spotted. It may have loose joints, hinges, or pages, and some text or pages may be missing. Large tears and other significant defects may be present. While still a readable copy, it shows substantial signs of use. Any major flaws will be clearly noted in the listing.
-
Dust Jacket Grading
(A) Excellent
The dust jacket is in excellent condition, may show the slightest signs of shelf wear, if any.(B) Good
Shows minor shelf wear, usually along edges and may have a few light stains.(C) Fair
Displays moderate shelf wear, including some noticeable small tears, creasing and/or stains.(D) Poor
Contains large tears, several creases, and/or heavy staining.(F) As Is
Shows significant wear and tear. Majority of dust jacket is torn or missing. May contain heavy staining.
