Kamisaka Sekka: Rinpa Traditionalist, Modern Designer by Andreas Marks
Kamisaka Sekka: Rinpa Traditionalist, Modern Designer by Andreas Marks
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Japan's Meiji era was a time of dramatic cultural change. Industry, the military, transportation, fashion, architecture, the arts—all aspects of Meiji society embraced modernization.
Kamisaka Sekka (1866–1942) flourished during this vibrant period. Deeply rooted in tradition—he led the revival of Rinpa, a style created in the seventeenth century—Sekka was a progenitor of modern design in Japan, creating imaginative, innovative imagery. He cooperated with other artisans to apply his designs to ceramics, lacquerware, and textiles, and in doing so, he became an influential transitional figure.
In addition to his work as a designer, Sekka produced several suites of prints, published as multivolume books. In transforming his paintings into woodcuts for reproduction, he revised his style to suit the medium. The resultant dramatic, powerful graphics are imbued with his signature elegant and delicate touch and reflect the artist's melding of Western and Japanese design influences.
The Clark Center for Japanese Art and Culture in Hanford, California, holds a magnificent collection of Kamisaka Sekka's works. Chosen for this book are the complete sets of prints from three of his best-known publications: All Kinds of Things (Chigusa), All Kinds of Butterflies (Cho senshu), and Things from Many Worlds (Momoyogusa). More than 160 woodblock prints are collected here, with an introductory essay authored by Andreas Marks, director and chief curator at the Clark Center. Kamisaka Sekka: Rinpa Traditionalist, Modern Designer secures this seminal artist's legacy as one of the most important designers of the early twentieth century.
Synopsis
Synopsis
ISBN: 9780764961755
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Book Condition Scale
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Like New
This book is in excellent condition and appears to have been read only once. The pages are clean and unmarked, with no creases or stains. The binding remains firm and tight. There may be minimal signs of shelf wear on the cover or dust jacket, but overall, the book looks and feels nearly new.
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Very Good
This book has been read but remains in great condition. It does not look new, yet there is no obvious damage to the cover. Wear and tear are minimal. The pages are clean, free of highlighting or notes, though it may contain identifying marks from a previous owner or bookstore.
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Good
This book shows moderate to heavy signs of wear that can include creases, stains or tears. The cover may have minimal damage, and the binding remains intact with slight wear. The majority of pages are undamaged, though there may be some highlighting, underlining, or notes. It may also contain identifying marks from a previous owner or bookstore.
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Acceptable
This book shows significant wear, which may include tears, large stains, creases, loose pages, and heavy notes, underlining, or highlighting. The binding may be loose but remains intact. While it has noticeable imperfections, it is still a complete and readable copy. Any major defects will be clearly noted in the listing.
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As Is
This book is visibly worn and may be heavily soiled, scuffed, stained, or spotted. It may have loose joints, hinges, or pages, and some text or pages may be missing. Large tears and other significant defects may be present. While still a readable copy, it shows substantial signs of use. Any major flaws will be clearly noted in the listing.
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Dust Jacket Grading
(A) Excellent
The dust jacket is in excellent condition, may show the slightest signs of shelf wear, if any.(B) Good
Shows minor shelf wear, usually along edges and may have a few light stains.(C) Fair
Displays moderate shelf wear, including some noticeable small tears, creasing and/or stains.(D) Poor
Contains large tears, several creases, and/or heavy staining.(F) As Is
Shows significant wear and tear. Majority of dust jacket is torn or missing. May contain heavy staining.