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Flower, Bird: Traditional Patterns in Japanese Design

Flower, Bird: Traditional Patterns in Japanese Design

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Condition: Brand New

Author(s): Nobuyoshi Hamada

Publication year: 2008

Publication date: 2008-01-01
Pages: 399
Binding: Paperback

Language: Japanese, English

Publisher: P I E Books

ISBN: 9784894446243
Dimensions: 5.75 x 1.0 x 8.0 in

Flower, Bird is a visual delight featuring the two most beloved motifs in traditional Japanese art. Numerous paintings, textiles, and craft products show practical exercises of the beauty of nature that artists, designers, and creators have captured throughout the seasons. About 200 featured works dating from the sixteenth through the early twentieth century are presented in this hefty little volume. In Japan, the first appearances of bird and flower motifs were heavily influenced by Chinese paintings. Chinese culture was highly respected and favored by Zen priests and feudal lords. These delicate works were coveted as hangings to adorn decorative alcoves in formal sitting rooms. It was this period unique Japanese painting techniques were incorporated into the traditional Chinese style, leading to the creation of what is now a singularly Japanese aesthetic. Contributions from prominent artists such as Jakuchu Ito (seventeenth century) and Kanou school graduates (fifteenth to nineteenth century) further developed the sophisticated Japanese visual arts. This book explores the bird and flower theme as aesthetic expressions of nature throughout the period, and examines the artistry and craftsmanship of the sumptuous ornamentation favored by the feudal class. Also included are reference materials such as preliminary sketches and studies.

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  • Like New

    This book is in excellent condition and appears to have been read only once. The pages are clean and unmarked, with no creases or stains. The binding remains firm and tight. There may be minimal signs of shelf wear on the cover or dust jacket, but overall, the book looks and feels nearly new.

  • Very Good

    This book has been read but remains in great condition. It does not look new, yet there is no obvious damage to the cover. Wear and tear are minimal. The pages are clean, free of highlighting or notes, though it may contain identifying marks from a previous owner or bookstore.

  • Good

    This book shows moderate to heavy signs of wear that can include creases, stains or tears. The cover may have minimal damage, and the binding remains intact with slight wear. The majority of pages are undamaged, though there may be some highlighting, underlining, or notes. It may also contain identifying marks from a previous owner or bookstore.

  • Acceptable

    This book shows significant wear, which may include tears, large stains, creases, loose pages, and heavy notes, underlining, or highlighting. The binding may be loose but remains intact. While it has noticeable imperfections, it is still a complete and readable copy. Any major defects will be clearly noted in the listing.

  • As Is

    This book is visibly worn and may be heavily soiled, scuffed, stained, or spotted. It may have loose joints, hinges, or pages, and some text or pages may be missing. Large tears and other significant defects may be present. While still a readable copy, it shows substantial signs of use. Any major flaws will be clearly noted in the listing.

  • Dust Jacket Grading

    (A) Excellent
    The dust jacket is in excellent condition, may show the slightest signs of shelf wear, if any.

    (B) Good
    Shows minor shelf wear, usually along edges and may have a few light stains.

    (C) Fair
    Displays moderate shelf wear, including some noticeable small tears, creasing and/or stains.

    (D) Poor
    Contains large tears, several creases, and/or heavy staining.

    (F) As Is
    Shows significant wear and tear. Majority of dust jacket is torn or missing. May contain heavy staining.